This started like a modern updating of Saul Bellow's Herzog, the academic in late middle age unable to stay with any woman and hurling his incohate fury at the world. It ended as a mixture between Myth, The Mouse that Roared and a theatrical farce and more besides - science fiction, child abuse, the media world, the internet...
However it suffers greatly by comparison with Bellow and is an often awkward and very uneven work. Much of the dialogue and inner thoughts seem mere paraphrases of sunday magazine speculation and the tone is uneven and unconvincing. (I did enjoy the frisson where he talks of the power having moved from cultural commentators in the seventies to advertising executives in the nineties, the opposite journey to Rushdie.) There are also constant references to Swift, Kafka, Yeats and any number of cultural touchstones.
