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Showing posts with label Muriel Spark. Show all posts
Showing posts with label Muriel Spark. Show all posts

Saturday, 15 March 2014

Not to Disturb


Not to Disturb - Muriel Spark

"'Their life,' says Lister, 'a general mist of error. Their death, a hideous storm of terror - I quote from The Duchess of Malfi by John Webster, an English dramatist of old.'"

This short novella is from the early seventies and is similar in style to The Hothouse by the East River, which I read and wrote about a few years ago. It is a spectral book, with elements of a play, and of a film script, only ninety one pages long and telling a story of murder and suicide in a locked room, mostly from the outside. And not alone are we outside the room but we also seem in some way to be outside time.

Tuesday, 13 August 2013

Loitering With Intent


Loitering With Intent - Muriel Spark

Like champagne bubbles being burst with a scalpel, Spark's novels are outrageous fun with a bitingly sharp edge. Loitering with Intent tells the story of Fleur Talbot who, while writing her first novel, takes on a job with Sir Quentin Oliver's Autobiographical Association. They prove to be a strange group and to bear an odd resemblance to characters and events in Talbot's first novel.

And although I am not overly familiar with Spark's life, my sketchy knowledge is enough to inform me that there are resemblances between Fleur Talbot and Ms Spark. The Autobiographical Association in which Fleur finds a job bears some resemblance to the Poetry Society, where the young Spark worked. The graveyard in which the book opens was one in which Spark spent much time writing poetry. Dexedrine plays a part in both Spark's life and the book.  At the same time the book is not so much realism as a series of games.

Wednesday, 25 April 2012

The Go-Away Bird



The Go-Away Bird - Muriel Spark

This collection of short stories shows Spark's range. The go-away bird of the title is 'the grey-crested lourie', a bird who's call seems to be "go'way, go'way". There are eleven stories in this collection, originally published in a variety of places and they are varied but with some recurring themes.

I really enjoyed this book -  it is full of energy and oddness. I have decided to post a little piece on each story rather than try to come up with a unified theory of everything.

Monday, 23 April 2012

Robinson



Robinson - Muriel Spark
"I recall that Robinson had advised more than once 'Stick to facts.'"

On a small island called Robinson a group of survivors from a plane crash are rescued by the island's owner Robinson and his adopted son Miguel. The survivors are January Marlow, the narrator; Jimmie Waterford, a relative of Robinson who was, strangely, on his way to the island; and Tom Wells, publisher of "Your Future"* a hokey spiritualist type magazine and purveyor of lucky charms and other 'services'). There is no way to contact the outside world and they must simply wait for the arrival of a boat which will come to collect pomegranates in a few months. There is a map of the island at the beginning and it looks like the chalk outline of the victim at a murder scene. (see below) Who, or what, is the victim? Perhaps it is the novel itself. And who is guilty, and what are they guilty of?

Friday, 19 August 2011

The Hothouse by the East River



The Hothouse by the East River - Muriel Spark

This is an odd book. A couple (Paul and Elsa) live in an old overheated apartment looking out on the East River. Their talk is obtuse, disconnected. She looks out the window while talking to him and there is something wrong with the orientation of her shadow. "He sees her shadow cast on the curtain, not on the floor where it should be according to the position of the setting sun from the window bay behind her, cross town to the West Side. He sees her shadow, as he has seen it many times before, cast once more unnaturally. Although he has expected it, he turns away his head at the sight."

Wednesday, 5 January 2011

100+ books in 2011

As usual with New Year Resolutions (100+ books to be read this year) starting off the year is easy and I've managed to finish four novels so far this year. Whether I can keep up anything like this pace remains to be seen - I've certainly got the books stacked up and ready to go.



1. 2666 - Roberto Bolano
From visceral realism to eviscerated fables, with a title half 2001/ half Book of Revelations, with ruminations on the meaning of writing and the place of the writer in the modern, past and future days this is not a little book.
Joyce appears in the face of an Irish bellhop; the Holocaust, Stalin's purges, the savage edge of globalisation and the killing of hundreds of women in Santa Teresa in Mexico form part of the narrative.
As well as showing that he is prepared to try and wrestle meaning from our ever more haunted and haunting history Bolano shows himself as master of many styles and leaves us with a book that cannot be discounted from any serious consideration of the novel.
The five parts (Bolano thought they could be published seperately) include a rectangular affair in academia; a man falling apart in Mexico, far from home; a black reporter who gets thrown from his comfort zone into writing about boxing and thinking about serial killings; a police procedural about serial killings and a fable about a giant who wanders deep into the forests and emerges with blood on his hands and the hard won knowledge that will almost win him the Nobel Prize.

Thursday, 2 September 2010

'The Death of Bunny Monroe' - Disco of the Damned

Original Post - Sunday, July 04, 2010

I just read Nick Cave's The Death of Bunny Monroe and thought I'd post a few impressions.

The all encompassing Flannery O'Connor meets Howlin'Wolf Southern Gothic of and the Ass saw the Angel has been removed and replaced by David Mamet doing a seedy rewrite of Muriel Spark with nods to Updike (Bunny and Rabbit having much in common)

However this Rabbit will never be rich, or at rest. He describes himself as the duracell bunny but the batteries are starting to wear out and the acid is leaking all over the place.

With a tired quiff and a tiring line in 'seduction' Bunny's self image as a rampant Lothario and the reality of his seedy and destructive life pull against each other and we find more and more reasons to dislike him as the novel progresses.