Books of the Year 2015
As I have lapsed somewhat into inactivity on the book blogging front I hope to use this post to quell those pangs of conscience that niggle in the back of my mind when I think of all the books I meant to post about but never have.
I have also been reading less, even with the extra time I should have had due to the lapse in blogging. However I took up running and managed to lose three stone in the first few months of the year and have not put much back on since. Also my band has risen from the ashes, at least briefly. I guess I have a tendency towards single-mindedness and that means that when one thing comes to the fore, another slips back into its wake.
Another possible reason was the revelatory re-read of Nathanael West's Miss Lonelyhearts, which rather than having it's edge blunted by the passage of time had the same impact as when it ravished me a few decades ago. It is my book of the year and re-calibrated my sense of the excitement a book should stir if it is to become a true favourite.
Showing posts with label Juan Carlos Onetti. Show all posts
Showing posts with label Juan Carlos Onetti. Show all posts
Thursday, 7 January 2016
Sunday, 21 December 2014
The Shipyard
The Shipyard - Juan Carlos Onetti
(Translated by Nick Caistor)
"Many people swear they saw him that lunchtime in the dying days of autumn. Some claim he looked like his old self resurrected in the exaggerated way, almost caricatured, that he was trying to recapture the indolence, the irony, the sparse disdain of the postures and expressions he had employed five years before; they recall how keen he was to be noticed and identified, his two fingers ready to rise jerkily to the brim of his hat at the slightest hint of greeting, at any look which remotely suggested surprise at seeing him again. Others on the contrary remember him as indifferent, hostile, resting his elbows on the table, a cigarette dangling from his mouth, parallel to the drenched Artigas Avenue, as he peered into the faces of those coming in for no other reason than to keep a personal tally of loyalties and betrayals, acknowledging either response with the same easy, fleeting smile, the same involuntary twitch of the mouth."
Larsen, the focus of this novel, is banished from the city and his return is brief. On a journey to a nearby town he meets the "idiot girl" of local industrialist Jeremias Petrus and later gets a job managing the shipyard of the book's title. The shipyard is in an advanced and advancing state of decay and Larsen and the two other staff (Galvez and Kunz) who work there are involved in a sort of self-delusion that alone can give any meaning to turning up to plan for the future of a clearly ruinous and derelict facility. They are not paid, although they have contracts and nominal salaries. Ends are made to meet by selling off a load of the rusting equipment in the sheds to scrap merchants once a month. Galvez and Kunz live in the shipyard, Galvez with his pregnant wife in "an enlarged version of a dog kennel", Kunz in a "doorless, abandoned office, with wooden planks for walls."
Labels:
1001 Books,
Books,
Books 2014,
Juan Carlos Onetti
Tuesday, 17 July 2012
A Brief Life
A Brief Life - Juan Carlos Onetti
I read this for SpanishLitMonth at Richard's Caravana De Recuerdos and Stu's Winstonsdad's Blog. It was not a book that I had any awareness of previous to it being nominated one of the 'set texts' for SpanishLitMonth. Having fallen behind the target of last weekend I will now play more the part of echo than member of the chorus. And an echo is an apt voice in which to discuss the book full of echoes...
It is an interesting book (interesting is one of those words that sounds faintly damning, isn't it?). At first I found it a little difficult to connect to, feeling at times that sentences remained to be translated from awkwardly constructed English. However this felt less so as the book progressed and I felt more that any obfuscation was deliberate.
There is a dark vision of humanity at play in this book, a disgust which passes itself off as diffidence. The characters, some of whom are nominally real, some of whom are fictional within the fiction, are trapped in an incomplete world, or worlds. Many are impelled to certain acts by a sense of fate, by a sense that they need to arrive at particular points. They are unable to cope with the questions posed by the death latent within them and in all who surround them.
I read this for SpanishLitMonth at Richard's Caravana De Recuerdos and Stu's Winstonsdad's Blog. It was not a book that I had any awareness of previous to it being nominated one of the 'set texts' for SpanishLitMonth. Having fallen behind the target of last weekend I will now play more the part of echo than member of the chorus. And an echo is an apt voice in which to discuss the book full of echoes...
It is an interesting book (interesting is one of those words that sounds faintly damning, isn't it?). At first I found it a little difficult to connect to, feeling at times that sentences remained to be translated from awkwardly constructed English. However this felt less so as the book progressed and I felt more that any obfuscation was deliberate.
There is a dark vision of humanity at play in this book, a disgust which passes itself off as diffidence. The characters, some of whom are nominally real, some of whom are fictional within the fiction, are trapped in an incomplete world, or worlds. Many are impelled to certain acts by a sense of fate, by a sense that they need to arrive at particular points. They are unable to cope with the questions posed by the death latent within them and in all who surround them.
Labels:
Books,
Books 2012,
Juan Carlos Onetti,
Spanish Lit Month
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