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Showing posts with label Eduardo Galeano. Show all posts
Showing posts with label Eduardo Galeano. Show all posts

Saturday, 19 March 2016

Memory of Fire: Faces and Masks & Century of the Wind


Faces and Masks; Century of the Wind - Eduardo Galeano
(Part 2 & 3 of the Memory of Fire trilogy.)

"History, the pink-veiled lady offering her lips to those who win, will have much to hide. She will feign absent-mindedness or sicken with fake amnesia; she will lie that the black slaves of Brazil were meek and resigned, even happy."

It took me quite a while to get around to the second and third books in Galeano's trilogy after finishing Genesis last year. Not because of quality but perhaps a reflection of the fact that I have been reading less and having difficulty getting through longer books. Mind you, that's nothing to the slow pace of my blogging. But I am making a last attempt to finish this for Richard's annual Literature of Doom over at Caravana De Recuerdos. And to take the chance to wish Richard good health for 2016. (It is months since I wrote this introduction. This time I am just going to post this as an idea toward a blog on books 2 & 3 in Galeano's trilogy without trying to 'finish' it...)

The trilogy as a whole is a towering achievement, poetic, revelatory and both harrowing and life affirming. Somehow the human sprit is what shines through all these examples of man's inhumanity. The strength to resist long after resistance has been proved to be less than futile, the re-emergence of traditions and cultures that had apparently long been eradicated and the very existence of this trilogy, the work in itself a testament to the human spirit and to Galeano's love of his subject and willingness to rummage in the dusty entrails of history to illustrate his thesis. "They were not wrong he said, in reading destinies in the entrails of the animals they sacrificed. In the entrails, he said. In the entrails, not the heads, because a prophet who loves is better than one who can reason."

Thursday, 7 January 2016

Books of the Year 2015

Books of the Year 2015

As  I have lapsed somewhat into inactivity on the book blogging front I hope to use this post to quell those pangs of conscience that niggle in the back of my mind when I think of all the books I meant to post about but never have.
I have also been reading less, even with the extra time I should have had due to the lapse in blogging. However I took up running and managed to lose three stone in the first few months of the year and have not put much back on since. Also my band has risen from the ashes, at least briefly. I guess I have a tendency towards single-mindedness and that means that when one thing comes to the fore, another slips back into its wake.
Another possible reason was the revelatory re-read of Nathanael West's Miss Lonelyhearts, which rather than having it's edge blunted by the passage of time had the same impact as when it ravished me a few decades ago. It is my book of the year and re-calibrated my sense of the excitement a book should stir if it is to become a true favourite.

Thursday, 20 November 2014

Memory of Fire: Genesis


Memory of Fire, 1: Genesis - Eduardo Galeano
(Translated by  Cedric Belfrage)

Genesis is the first part of Galeano's ambitious and brilliant retelling of the history and mythstory of the American continent. Short, anecdotal passages jump from location to location, leapfrogging through time to build a picture of the civilisations that existed in pre-Conquistador America. It's a couple of months since I read Genesis and I stopped part way through the second book in order to complete some reading I had committed to. I hope to get back into it soon, as it has lived up to my high expectations so far, expectations raised by my reading of another of his books: Upside Down, A Primer for the Looking-Glass World.

Monday, 7 February 2011

A World Turned Upside Down

Upside Down, a Primer for The Looking-Glass World, by Eduardo Galeano

In a engine, when one gear goes forward, another is pushed back. Galeano opens the bonnet onto the engine of human 'progress'. In it we see those who drive forward with reckless abandon, those pushed back and those who are ground between the gears or fed to the fuel tank.

This is a wise and wonderful work full of the most quotable quotes. Shaped like a school primer and written from a  Latin American center of gravity 'Upside Down' takes us on a funfair ride through consumer culture, asking as he goes if anyone is really served by it.

It is a crime to deny the Holocaust but not to deny the consequences of our own lifestyles and the political hegemony of the powerful.  Despite holding up a mirror to the world and showing us an unflattering picture of what we are this book is full of laughs of recognition, freewheeling language and ideas and myriads of quotable quotes and anecdotes. It is also full of rage.

Thursday, 4 November 2010

Ain't That Good News

I have just finished reading John Pilger's collection of some of the best in investigative journalism since the Second World War. Ezra Pound famously said that literature is news that stays news. By that criteria there is a lot of literature here.

There are many crimes outlined here, and in a way that pushes you to face the truth that is often obvious but usually ignored.

Dachau, Hiroshima, McCarthyism, Cambodia, Mai Lai, Beiruit, Rwanda, Checnya, Iraq, how our food is produced, american funerals, how drug companies and governments try to hide their actions behind a wall of disinformation and secrecy etc etc.

The way in which words can be used to hide the truth is examined relentlessly perhaps nowhere better than in an extract from Robert Fisks magesterial Pity the Nation where he stumbles onto the scene of a massacre in a Palestinian refugee camp in Beiruit and meets some eternal companions of death.

"If we did not move quickly enough, they bit us. Mostly they stayed around our heads in a grey cloud, waiting for us to assume the generous stillness of the dead. They were obliging, these flies, forming our only physical link with the victims who lay around us, reminding us that there is life in death. Someone benefits. The flies were impartial. It mattered not the slightest that the bodies here had been victims of mass murder. The flies would have performed  in just this way for the unburied dead of any community. Doubtless it was like this on hot afternoons during the Great Plague."