.
Showing posts with label Zadie Smith. Show all posts
Showing posts with label Zadie Smith. Show all posts

Tuesday, 23 October 2012

White Teeth


White Teeth - Zadie Smith

Right at the start of this book we are shown that there will be some darkness in this light comedy of modern metropolitan life in London. We arrive "Early in the morning, late in the century, Cricklewood Broadway. At 06.27 hours on 1 January 1975" to witness the suicide attempt of Archie Jones, recently divorced. Smith loads this one image with religion, marriage and war, three of the big themes taken on in this big, sprawling, comic novel "He lay forward in a prostrate cross, jaw slack, arms splayed either side like some fallen angel: scrunched up in each fist he held his army service medals (left) and his marriage licence (right), for he had decided to take his mistakes with him." The image of the hoover tube which is to form a part of the failed suicide attempt stayed with me, it "lay like a great flaccid cock on his back seat, mocking his quiet fear.."

The overriding theme of the novel is identity, particularly as it is formed in the furnace of cultural expectations. More specifically the competing cultural expectations at play on the second generation, represented in this novel by Archie's daughter Irie, and Millat and Magid, the two twin sons of Archie's best friend Samad, great grandson of Mangal Pande, the sepoy who fired the first shot in the Indian rising of 1857. (The uprising upon which J G Farrell based his comic masterpiece The Siege of Krishnapur). The uprising was a result of bullets being covered in "a grease made from the fat of pigs, monstrous to Muslims and the fat of cows, sacred to Hindus. It was an innocent mistake - as far as anything is innocent on stolen land - an infamous British blunder." And the date, New Years Day, introduces the idea of new beginnings.