Books of the Year 2015
As I have lapsed somewhat into inactivity on the book blogging front I hope to use this post to quell those pangs of conscience that niggle in the back of my mind when I think of all the books I meant to post about but never have.
I have also been reading less, even with the extra time I should have had due to the lapse in blogging. However I took up running and managed to lose three stone in the first few months of the year and have not put much back on since. Also my band has risen from the ashes, at least briefly. I guess I have a tendency towards single-mindedness and that means that when one thing comes to the fore, another slips back into its wake.
Another possible reason was the revelatory re-read of Nathanael West's Miss Lonelyhearts, which rather than having it's edge blunted by the passage of time had the same impact as when it ravished me a few decades ago. It is my book of the year and re-calibrated my sense of the excitement a book should stir if it is to become a true favourite.
Showing posts with label Natsume Sõseki. Show all posts
Showing posts with label Natsume Sõseki. Show all posts
Thursday, 7 January 2016
Friday, 23 January 2015
The Gate
The Gate - Natsume Sõseki
(Translated by William F. Sibley)
"They walked along through life together on the path toward death, lashed by fate each step of the way. Yet the lash's tip, they realised, had been dipped in a honey-like balm that healed all wounds."
Although it dates from 1910 there is something very modern about The Gate. It deals with the death of ambition under the pressure of financial strain, conformity and the wearying monotony of commuter life. At times I found myself thinking that it sat somewhere between Dostoevsky and Revolutionary Road.
The main characters are Sōsuke and his wife Oyone. Right from the start there is a sense that the are just pawns in a bigger game, or perhaps prawns: "She saw that at some inner prompting he had brought his knees up to his chest, prawn-like, as if he were occupying a cramped space." They cling to middle class respectability but we are constantly being made aware that there is something shameful in their past, or at least in Sōsuke's past. For some reason he failed to finish university which has hampered his career progression. Work seems little more than an exhausting chore that leaves Sōsuke worn out: "when he gets home he's exhausted - even the walk to the bathhouse is a chore."
(Translated by William F. Sibley)
"They walked along through life together on the path toward death, lashed by fate each step of the way. Yet the lash's tip, they realised, had been dipped in a honey-like balm that healed all wounds."
Although it dates from 1910 there is something very modern about The Gate. It deals with the death of ambition under the pressure of financial strain, conformity and the wearying monotony of commuter life. At times I found myself thinking that it sat somewhere between Dostoevsky and Revolutionary Road.
The main characters are Sōsuke and his wife Oyone. Right from the start there is a sense that the are just pawns in a bigger game, or perhaps prawns: "She saw that at some inner prompting he had brought his knees up to his chest, prawn-like, as if he were occupying a cramped space." They cling to middle class respectability but we are constantly being made aware that there is something shameful in their past, or at least in Sōsuke's past. For some reason he failed to finish university which has hampered his career progression. Work seems little more than an exhausting chore that leaves Sōsuke worn out: "when he gets home he's exhausted - even the walk to the bathhouse is a chore."
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Books 2015,
Natsume Sõseki
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