Showing posts with label Spanish Lit Month. Show all posts
Showing posts with label Spanish Lit Month. Show all posts
Friday, 5 August 2016
The Literary Conference & An Episode in the Life of a Landscape Painter
The Literary Conference (translated by Katherine Silver) & An Episode in the Life of a Landscape Painter (translated by Chris Andrews) - by César Aira
"In my case nothing returns, everything races forward, savagely being pushed from behind by what keeps coming through that accursed valve. This image, brought to its peak of maturation in my vertiginous reflections, revealed to me the path of the solution, which I forcefully put into practice whenever I have time and feel like it. The solution is none other than the greatly overused (by me) "escape forward.""
Having started a long translated novel and lost interest as it seemed opaque to me (perhaps the original, perhaps the translation, perhaps just me) I decided that I would reread the César Aira novellas I had read and enjoyed last year but never made it to a blog post apart from a listing in my Books of the Year. This would allow me to contribute something further to SpanishLitMonth..
I started with The Literary Conference as it was the one that had left the greater trace. I had really enjoyed both books but neither had left as much of an impression as their companion in the three novella set I had purchased Ghosts. This may have a lot to do with the fact that I had posted on Ghosts. It is as if blogging has become an essential part of fully digesting a book I've read and committing it to memory.
Labels:
Books,
Books 2016,
César Aira,
Spanish Lit Month
Wednesday, 13 July 2016
Tres
Tres - Roberto Bolaño
Translated by Laura Healy
Tres is a collection of three poems by Bolaño, although two could just as easily be called prose fragments. Indeed the first 'poem' is called Prose from Autumn in Gerona and the third "section" is called A Stroll Through Literature, a title that might seem more at home in a middlebrow essay collection. The central poem is called The Neochileans and centers on a tour by a band of that name. It is a short book, despite it's 170 plus pages, as many pages contain just one short paragraph and the facing pages feature the original Spanish texts.
What is surprising (or not) is that the work fits seamlessly into Bolaño's oeuvre, and readers who have read a number of his works will find themselves again in that large reverberating echo chamber which all his books seem to exist in. Partly it is that the writer's life is stitched into his work and partly the language and the fascination with geometry. Bolaño often seems to see the relationships between characters and the effect they have on each other in terms of a geometric theorems, as if a formula could be derived of the forces pulling the characters together, or apart. The word features in the very first paragraph of Prose from Autumn in Gerona.
"A woman - I ought to say a stranger - who caresses you, teases you, is sweet with you and brings you to the edge of a precipice. There, the protagonist gasps or goes pale. As if he were inside a kaleidoscope and caught sight of the eye watching him. Colours arranging themselves in a geometry far from anything you're prepared to accept as okay. And so begins autumn, between the Oñar river and the hill of las Pederas."
Labels:
Books,
Books 2016,
Roberto Bolano,
Spanish Lit Month
Tuesday, 29 September 2015
While the Women Are Sleeping
While the Women Are Sleeping - Javier Marías
This collection of Marias' short stories spans his writing career from his teenage years in 1968 through to 1998. Quite a stretch of time. While not essential, perhaps, this collection hangs together better than might be suspected and includes much to savour.
Labels:
Books,
Books 2015,
Javier Marias,
Spanish Lit Month
Saturday, 22 August 2015
Dublinesque
Dublinesque - Enrique Vila-Matas
(Translated by Rosalind Harvey & Anne McLean)
"'Dublin?' she asks, surprised. 'And what are you going to do there? Start drinking again.'"
When #SpanishLitMonth was brought to my attention it was Bloomsday so this was an obvious choice, concerning, as it does, a visit to Dublin for June 16th to hold a funeral for "the Gutenburg Galaxy" - the world of the printed book. I was also eager to read more from Vila-Matas as I had enjoyed Bartleby & Co so much. This was also sitting on my shelves in three-dimensional, ink on paper form...
The central character is Samuel Riba, retired publisher, sober alcoholic. He "has published many of the great writers of his time" but, we learn, is not great with figures and his company went under. Drink almost pulled him under with the company and threatened to bring his marriage to a painful end. With little to fill his time Riba has developed an unhealthily close relationship with his computer screen and feels that he is becoming like the "hikikiomori, young Japanese people who suffer from IT autism, and who in order to avoid outside pressure react by withdrawing completely from society." I felt a certain fellow feeling...
Labels:
Books,
Books 2015,
Enrique Vila-Matas,
Spanish Lit Month
Saturday, 8 August 2015
The Mulatta & Mister Fly
The Mulatta & Mister Fly - Miguel Angel Asturias
As August has been united with July under the umbrella of #SpanishLitMonth (at Caravana De Recuerdos, WinstonsDad's Blog & on Twitter) it means that this post is not my usual #SpanishLateMonth. Although, as I'm now reading my fourth book there is plenty of time to be late yet...
This is the first novel I have read from the Nobel prize winner Asturias, and I have to say that it was not quite what I expected. The book is less a narrative than an incantation: an amalgam of myth, history, sex and politics that seems more closely related to the Joyce of Finnegans Wake, or William Burroughs, than to other South American writers I have read.
This isn't the whole picture, though. The book is soaked in the myth-story of South America and clearly draws on the same sources as Galeano's Memory of Fire. Indeed the author note in my copy says that Asturias "studied the philosophy and religion of the Mayan civilisation at the Sorbonne." This clearly gave Asturias the foundation upon which to build this strange world. At times the book heads into very weird terrain, as is shown this quote I scanned and posted on Twitter as I read.
Labels:
Books,
Books 2015,
Miguel Angel Asturias,
Spanish Lit Month
Thursday, 20 November 2014
Memory of Fire: Genesis
Memory of Fire, 1: Genesis - Eduardo Galeano
(Translated by Cedric Belfrage)
Genesis is the first part of Galeano's ambitious and brilliant retelling of the history and mythstory of the American continent. Short, anecdotal passages jump from location to location, leapfrogging through time to build a picture of the civilisations that existed in pre-Conquistador America. It's a couple of months since I read Genesis and I stopped part way through the second book in order to complete some reading I had committed to. I hope to get back into it soon, as it has lived up to my high expectations so far, expectations raised by my reading of another of his books: Upside Down, A Primer for the Looking-Glass World.
Labels:
1001 Books,
Books,
Books 2014,
Eduardo Galeano,
Spanish Lit Month
Thursday, 31 July 2014
The Sound of Things Falling
The Sound of Things Falling - Juan Gabriel Vásquez
"Then I realized no one wants to hear heroic stories, but everyone likes to be told about someone else's misery."
I was lucky enough to win a signed copy of this Impac Dublin Literary Award winning novel on Twitter, just in time for #spanishlitmonth. I finished reading it a couple of weeks ago but it has, like some other posts languished in my drafts folder since then. However, in a final effort to post on some Spanish Lit for #spanishlitmonth, I am returning to it, grinding through the gears of my memory.
The book opens with the shooting of one of the hippopotami that took to the Columbian countryside fro the huge outdoor zoo presided over by Pablo Escobar before his death in 1993. This reminds the narrator, Antonio Yammara, of his own memories that are tied up with the zoo and the Columbia represented by it, a Columbia where the drug cartel seemed untouchable, able to bribe, intimidate or kill anyone who stood against it.
"Then I realized no one wants to hear heroic stories, but everyone likes to be told about someone else's misery."
I was lucky enough to win a signed copy of this Impac Dublin Literary Award winning novel on Twitter, just in time for #spanishlitmonth. I finished reading it a couple of weeks ago but it has, like some other posts languished in my drafts folder since then. However, in a final effort to post on some Spanish Lit for #spanishlitmonth, I am returning to it, grinding through the gears of my memory.
The book opens with the shooting of one of the hippopotami that took to the Columbian countryside fro the huge outdoor zoo presided over by Pablo Escobar before his death in 1993. This reminds the narrator, Antonio Yammara, of his own memories that are tied up with the zoo and the Columbia represented by it, a Columbia where the drug cartel seemed untouchable, able to bribe, intimidate or kill anyone who stood against it.
Wednesday, 1 August 2012
In Search of Klingsor
In Search of Klingsor - Jorge Volpi
This is a (quite) big novel, a novel of ideas set in the aftermath of World War 2, in a desolate Germany, among scientists, spies and sexual intrigues. It uses old German myth and modern theories to give shape to its exploration of the undefinable. Clearly, the shadow of Gravity's Rainbow must hang over this. Indeed the crossed matrices of Mathematics and Morals could be considered essentially Pynchonian terrain, and he is unlikely to be ceding much ground to Volpi.
Volpi has gathered an arsenal of scientific and mathematical theories, conundrums and stories with which to bone out the flesh of his story. My problem is that he hasn't quite fleshed out these bones. At times I felt that I was reading information cribbed from Sunday magazine articles or textbooks. The questions of voice and tone were also, I felt, imperfectly answered. I felt slightly put off by the tone, which is sometimes stilted, but am unsure as to whether this was an issue in the original or the translated text. However, it was hard to imagine some of the metaphors being elegant in any language.
Labels:
1001 Books,
Books,
Books 2012,
Jorge Volpi,
Spanish Lit Month
Sunday, 29 July 2012
Drown
Drown - Junot Diaz
The epigram in Drown is a poem by Gustavo Pérez Firmat about linguistic exile:
The fact that I
am writing to you
in English
already falsifies what I
wanted to tell you.
My subject: how to explain to you that I
don't belong to English
though I belong nowhere else
The last pages of the book include a glossary of the Spanish words with which these stories are liberally strewn. In between are ten stories that bridge the immigrant divide between the Dominican Republic and the United States. (For this reason it could be said to fit in to Spanishlitmonth. What do you think Richard?)
Labels:
Books,
Books 2012,
Junot Diaz,
Short Stories,
Spanish Lit Month
Sunday, 22 July 2012
Bartleby & Co
Bartleby & Co - Enrique Vila-Matas
On the evidence of this book and Tony's review of Dublinesque
this is another writer to add to the expanding list of writers I need to explore in depth. Bartleby & Co is an essay thinly disguised as a novel, thinly disguised as a series of footnotes to the ongoing death of literature.
Firstly, my disappointment, just to get it out of the way. That is, a disappointment with regards to the book rather than with the inability of man to assign any kind of adhesive meaning to the ongoing story of our species.
When I realized what this book was about - writers who say NO to writing - I felt that I was sure to meet again the great American writer Joseph Mitchell who is mainly known for his last decades when he still continued to come to his office in the New Yorker but published nothing1. However he remains as elusive as his own copy became.
Labels:
1001 Books,
Books,
Books 2012,
Enrique Vila-Matas,
Spanish Lit Month
Tuesday, 17 July 2012
A Brief Life
A Brief Life - Juan Carlos Onetti
I read this for SpanishLitMonth at Richard's Caravana De Recuerdos and Stu's Winstonsdad's Blog. It was not a book that I had any awareness of previous to it being nominated one of the 'set texts' for SpanishLitMonth. Having fallen behind the target of last weekend I will now play more the part of echo than member of the chorus. And an echo is an apt voice in which to discuss the book full of echoes...
It is an interesting book (interesting is one of those words that sounds faintly damning, isn't it?). At first I found it a little difficult to connect to, feeling at times that sentences remained to be translated from awkwardly constructed English. However this felt less so as the book progressed and I felt more that any obfuscation was deliberate.
There is a dark vision of humanity at play in this book, a disgust which passes itself off as diffidence. The characters, some of whom are nominally real, some of whom are fictional within the fiction, are trapped in an incomplete world, or worlds. Many are impelled to certain acts by a sense of fate, by a sense that they need to arrive at particular points. They are unable to cope with the questions posed by the death latent within them and in all who surround them.
I read this for SpanishLitMonth at Richard's Caravana De Recuerdos and Stu's Winstonsdad's Blog. It was not a book that I had any awareness of previous to it being nominated one of the 'set texts' for SpanishLitMonth. Having fallen behind the target of last weekend I will now play more the part of echo than member of the chorus. And an echo is an apt voice in which to discuss the book full of echoes...
It is an interesting book (interesting is one of those words that sounds faintly damning, isn't it?). At first I found it a little difficult to connect to, feeling at times that sentences remained to be translated from awkwardly constructed English. However this felt less so as the book progressed and I felt more that any obfuscation was deliberate.
There is a dark vision of humanity at play in this book, a disgust which passes itself off as diffidence. The characters, some of whom are nominally real, some of whom are fictional within the fiction, are trapped in an incomplete world, or worlds. Many are impelled to certain acts by a sense of fate, by a sense that they need to arrive at particular points. They are unable to cope with the questions posed by the death latent within them and in all who surround them.
Labels:
Books,
Books 2012,
Juan Carlos Onetti,
Spanish Lit Month
Monday, 9 July 2012
Cría Cuervos
Cría Cuervos - a film by Carlos Saura
This film was selected by Richard @ Caravana de Recuerdos as part of Spanish Literature month so I decided that I would try to get my hands on a copy in time to watch it. However, it was not to be. I found that it was to be released in a few months (it dates from 1976). However, having some time to myself last night I decided I would see if I could view it online and lo and behold, it seemed that I could. And so I settled down to watch.
..CONTAINS SPOILERS.. and much frustration.
Labels:
Carlos Saura,
Film,
Spanish Lit Month
Sunday, 1 July 2012
Spanish Lit Month - Plans and "Five from the Archive"
Spanish Lit Month
Today is the first day of Spanish Literature Month, hosted by Richard @ Caravana de Recuerdos and Stu @ Winstonsdad's Blog. Auspiciously, they have selected the day when Spain could become the first team to win three major international tournaments in a row. They both have myriad suggestions for reading and there are also "three planned group events scheduled: a discussion of Carlos Saura's 1976 film Cría cuervos this coming weekend, a group read of Juan Carlos Onetti's 1950 La vida breve [A Brief Life] the following weekend, and a group read of Enrique Vila-Matas' 2001 Bartleby y compañía [Bartleby & Co.] the weekend after that."
Labels:
Books,
Books 2012,
Spanish Lit Month
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