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Showing posts with label Marilynne Robinson. Show all posts
Showing posts with label Marilynne Robinson. Show all posts

Thursday, 7 January 2016

Books of the Year 2015

Books of the Year 2015

As  I have lapsed somewhat into inactivity on the book blogging front I hope to use this post to quell those pangs of conscience that niggle in the back of my mind when I think of all the books I meant to post about but never have.
I have also been reading less, even with the extra time I should have had due to the lapse in blogging. However I took up running and managed to lose three stone in the first few months of the year and have not put much back on since. Also my band has risen from the ashes, at least briefly. I guess I have a tendency towards single-mindedness and that means that when one thing comes to the fore, another slips back into its wake.
Another possible reason was the revelatory re-read of Nathanael West's Miss Lonelyhearts, which rather than having it's edge blunted by the passage of time had the same impact as when it ravished me a few decades ago. It is my book of the year and re-calibrated my sense of the excitement a book should stir if it is to become a true favourite.

Sunday, 22 March 2015

Lila


Lila - Marilynne Robinson

"The child was just there on the stoop in the dark, hugging herself against the cold, all cried out and nearly sleeping. She couldn't holler anymore and they didn't hear her anyway, or they might and that would make things worse."

This is the third of Robinson's Gilead books, after Gilead itself and Home, and there are gaps left here that point to possible future instalments. Lila is the wife of Reverend John Ames, who was the central consciousness in Gilead.

The long letter that John Ames writes his son in Gilead contains many of his "begats". He is one in a long line. Lila, however, knows little or nothing about her forebears. Her life begins when she is taken from the 1920's equivalent of a crack den by Doll. Doll dosses down in the house herself and has really nowhere to take the child, who is sick, having been left outside in the elements. She is the only one who ever shows Lila any kindness. Indeed, when Doll is kind to Lila before taking her away, Lila hates her for it, a trait which is prevalent in children (and adults) with attachment difficulties. They share their homelessness, and that becomes a part of the bridge between them. ""Well, we got no place to go. Where we gonna go?""

Friday, 8 July 2011

Gilead

Gilead - Marilynne Robinson

"Is there no balm in Gilead?"

Three books in and Marilynne Robinson' is clearly creating a  body of work which can be compared with any other. I read this and Home back to front (Home is a sequel to Gilead, written from a different perspective) but found that one still deepened the other to an extraordinary degree.  I could quite happily spend a lifetime  looking at the town of Gilead if each perspective were as beautifully realised as it is in these two extraordinary books. The variations of the story between perspectives have set me to imagining other perspectives and narratives hidden within what we have been given. It seems as blind and fathomless as life itself.

Saturday, 2 April 2011

Home

Home - Marilynne Robinson

This book reminds me of the stealth of dandelions, when the breeze catches them and the air is suddenly filled with their wafting seeds, catching the light like miniature suns. Gentle yet devastating.

Home is Marilyne Robinson's third novel. I have been a fan of her first novel, Housekeeping for many years but only recently found out that she had written not one but two more recent novels after a gap of twenty years. Housekeeping (1984), Gilead (2004) and Home (2008). Gilead and Home are companion novels both set in the town of Gilead and recounting the same events from different viewpoints. Having read Home I will now be looking out for a copy of Gilead and may actually have to stray outside the shelves of charity shops because I can't wait.